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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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FESTIVALS: THE LOKHANDWALA STREET-CORNER START-UPS

Today, Siddharth Kak explores the by lanes of his neighbourhood to discover a variety of Indian food and snacks on offer by a ...

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BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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POLITICS: REGRESSIVE ACTIONS IN THE MODERN WORLD

Humra Quraishi comments on reports coming in of the centre awarding Sainik School agreements to educational institutions assoc...

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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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BOLLYWOOD: SUCHITRA SEN, BENGAL’S QUEEN OF HEARTS

Monojit Lahiri remembers actress Suchitra Sen, the charismatic superstar who ruled the screen for 25 years, before vanishing f...

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TRENDING: A CATASTROPHIC TURNING POINT

The arrest of Delhi's Chief Minister and AAP leader, Arvind Kejriwal, represents a catastrophic turning point for the ruling Right-Wing governm...

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POLITICS: ALL IN THE NAME OF GOD

Humra Quraishi comments about empty promises being made in political speeches, the polarisation, and the harmful propaganda taking place for vo...

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